Senin, 27 Juni 2011

[N173.Ebook] Fee Download Showtime: A History of the Broadway Musical Theater, by Larry Stempel

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Showtime: A History of the Broadway Musical Theater, by Larry Stempel

Showtime: A History of the Broadway Musical Theater, by Larry Stempel



Showtime: A History of the Broadway Musical Theater, by Larry Stempel

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Showtime: A History of the Broadway Musical Theater, by Larry Stempel

The definitive history of the Broadway musical: the shows, the stars, the movers, and the shakers.

Showtime brings the history of Broadway musicals to life in a narrative as engaging as the subject itself. Beginning with the scandalous Astor Place Opera House riot of 1849, Larry Stempel traces the growth of musicals from minstrel shows and burlesques, through the golden age of Show Boat and Oklahoma!, to such groundbreaking works as Company and Rent.

Stempel describes the Broadway stage with vivid accounts of the performers drawn to it, and detailed portraits of the creators who wrote the music, lyrics, and stories for its shows, both beloved and less well known. But Stempel travels outside the theater doors as well, to illuminate the wider world of musical theater as a living genre shaped by the forces of American history and culture. He reveals not only how musicals entertain their audiences but also how they serve as barometers of social concerns and bearers of cultural values.

Showtime is the culmination of decades of painstaking research on a genre whose forms have changed over the course of two centuries. In covering the expansive subject before him, Stempel combines original research―including a kaleidoscope of primary sources and archival holdings―with deft and insightful analysis. The result is nothing short of the most comprehensive, authoritative history of the Broadway musical yet published. 16 pages of four-color; 105 black-and-white illustrations

  • Sales Rank: #93515 in Books
  • Published on: 2010-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.80" w x 6.50" l, 2.69 pounds
  • Binding: Hardcover
  • 848 pages

Review
“Starred Review. Not just a catalog or reference book, but a highly astute, integrative cultural history.” (Kirkus Reviews)

“Throughout, as Stempel traces the evolution with exhaustive archival research, he offers a penetrating and illuminating analysis of various musical forms and influences. Many of the 105 carefully selected black-and-white illustrations are surprising and revelatory. Theater buffs will be delighted to find that this scholarly, definitive work is also a hugely entertaining read.” (Publishers Weekly)

From the Back Cover
“Stempel has hit the trifecta: for academics, it’s a definitive work of scholarship; for students, it’s the perfect textbook; for ordinary lovers of musical theater, it’s a treat to savor at the end of a long day.”―Rose Rosengard Subotnik, Brown University

“Showtime is a sumptuous banquet of a book. This richly researched history allows us to be present at the birth of the musical theater and to be enthralled witnesses as it develops and metamorphoses into the wealth of forms we now enjoy. A century and a half of entertainment is a vast amount of ground to cover, but Stempel is the ideal tour guide. This is a book to treasure.”―Sheldon Harnick

“Showtime is a substantial work of American music history. Scrupulous but not fussy, learned but not pedantic, Stempel is a fine storyteller who delights in clarity and knows a good joke when he sees one. The precision of his thinking and writing gives the book an aura of authority keenly attuned to the tradition he critiques and celebrates.” ―Richard Crawford, author of America’s Musical Life: A History

“I cannot put Showtime down―and it’s a heavy book! Showtime is my new favorite companion.” ―John Mauceri, chancellor, University of North Carolina School of the Arts

“This is the book we have been waiting for―thoroughly readable and smart, informative and engaging.” ―Ted Chapin, president, Rodgers & Hammerstein Organization

“This is by far the best book ever written about Broadway, a magisterial critical history, which will be required reading for anyone interested in musical theater.” ―Kim H. Kowalke, Eastman School of Music

About the Author
Larry Stempel, an associate professor of music at Fordham University and a recipient of a National Endowment for the Humanities Fellowship, was a member of Lehman Engel's BMI Musical Theater Workshop. He lives in Mount Vernon, New York.

Most helpful customer reviews

22 of 25 people found the following review helpful.
Simply the best history available
By Stephen
This is the most complete, most detailed, and most illuminating book on the history and development of musical theater, from its beginnings to the present day. It is perhaps more than some want to know about this art form, and yet if one is to really understand it, the amount of detail provided is extremely helpful. Another reviewer has pointed out that the author's personality does not come through, but this is clearly meant as a scholarly (in the best sense of the word) work, where personal opinion would be out of place. I love the opinion-laden books of Ethan Mordden, but am always aware that I am reading a very particular viewpoint. Here, I have the feeling that the author is trying to pull together all this is known about musical theater in the U.S., in a way that helps us make sense of the various streams of influence, as they have joined to create a form that itself has shifted and changed over the years. This is not a book I was able to read straight through--I found myself reading a chapter, and then putting down the book to think about what I had read. That's unusual for me. I like the way the book is organized, with 3-4 musicals per chapter used as examples--often in great detail. This heavy volume is clearly a labor of love, and I know of no other recent book that provides so much information on the subject.

13 of 16 people found the following review helpful.
This will be THE TEXTBOOK for Theater Majors for Years
By Gerard D. Launay
First let me explain what this book is not. It is not a loveletter to Broadway. Instead it is a deeply researched history on how the Broadway Musical Stage has evolved over 100 years...from humble beginnings in comic opera....to vaudeville...to the Golden Age of Musical Broadway...to Bob Fosse...to Disney Productions...and beyond. The major themes are the social or stylistic influences which caused new directions in the Broadway Show such as the introduction of ballet style dancing in the 1940's or jazz dancing in the 1950's and later. Important contributions in staging are not ignored either...like the baroque, opulent sets of "Phantom of the Opera" with its 100 candles recreating a haunted world beneath a belle epoque Opera House. The treatise is not so much about the lives of the movers and shakers as about why their influences "worked" in the time of history that the show went on.

I will discuss two examples: Carousel and Gypsy. In Carousel, the author explains that "while Oklahoma developed the moral argument for sending American boys overseas, Carousel offered consolation to those wives and mothers whose boys would only return in spirit." In writing about Gypsy, I learned that it broadened the dramatic scope of musical comedy and turned the conventions of that genre into "the stuff of drama." In other words, "Gypsy says something different and fairly hard to take: that every child eventually has to become responsible for his parents. That you outgrow your parents and then eventually they become your responsibility."

It is the kind of book to sip like a great wine...slowly and carefully to appreciate all the nuances and textures. I think it is a wonderful scholarly treatise that makes the Broadway Musical not only fun, but meaningful in American history.

3 of 4 people found the following review helpful.
Another angle of music theater history
By W. Smith
At this point, there are a few books covering the history of music theater. Some present it as dry statistics, some take a chronological approach, and some take a very editorialized chronological approach (American Musical Theater: A Chronicle comes immediately to mind). I think the only way to get a grasp on the progress of the musical is to read as many of these as possible and synthesize their thoughts. So, add to that pile this excellent book. It uses a conceptual angle. So there is a chapter on Off-Broadway, a chapter on concept musicals, a chapter on post-modern "antimusicals", etc. This is an effective, entertaining, and interesting way to go about it. The reason there are only four stars instead of five is that the book tends to leave out shows that were more obscure or had short runs. But, going back to the beginning of this review, Strike Up the Band: A New History of Musical Theatre and Off-Broadway Musicals Since 1919: From Greenwich Village Follies to the Toxic Avenger will cover the ground left over and give you a pretty decent comprehensive review.

See all 17 customer reviews...

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