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Art Since 1980: Charting the Contemporary, by Peter R. Kalb
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Examines contemporary art from its roots to the present day
Art Since 1980: Charting the Contemporary presents a chronological survey from the late 20th century into the early 21st century. This title is built around short discussions on individual artists. Author Peter Kalb maintains a balance between a social history of institutions and contexts, and attention to individual aesthetic choices. Works cited come from these fields: painting, photography, and sculpture, plus installation, performance, and video art.
- Sales Rank: #355625 in Books
- Published on: 2013-09-26
- Original language: English
- Number of items: 1
- Dimensions: 11.40" h x .50" w x 8.60" l, 1.98 pounds
- Binding: Paperback
- 336 pages
Review
“The writing is clear, artists are well chosen, and the chapter organization is logical. . . . The author strikes an admirable balance between a social history of institutions and contexts, and attention to individual aesthetic choices.”
-Bill Anthes, Pitzer College
“A quite complete and detailed survey of contemporary art, that . . . goes into substantial detail on a number of world contemporary artists.”
-Ellen Hoobler, Columbia University
“A good overview of late twentieth-century art, organized thematically and built of short discussions of individual artists. The way that the text is primarily organized around short discussions of individual artists or organizations is effective."
-Sarah Hollenberg, University of Utah
“Excellent research; great insights and surprisingly comprehensive.”
-Doreen Maloney, University of Kentucky
About the Author
Peter R. Kalb is the Cynthia L. and Theodore S. Berenson Professor of Contemporary Art at Brandeis University where he teaches modern and contemporary art history. Before preparing Art Since 1980 he was the revising author of the Fifth Edition of H.H. Arnason History of Modern Art and the author of High Drama: The New York Cityscapes of Georgia O’Keeffe and Margaret Bourke-White. His scholarship addresses issues in twentieth- and twenty-first-century art and criticism and he serves as the Boston-based corresponding editor for Art in America.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Good textbook and a second edition will be terrific!!
By Wayne Crosby
I used this book in my undergraduate and graduate courses last spring. Kalb takes time to address contemporary issues in their historical context, which is refreshing and often lost in the more prevalent thematic versions of contemporary art history textbooks. I was able to address contemporary art as an art history class should and could create tests to see how well my students understood the artists and their works, along with conceptual, political, and historical issues. I have two criticisms: (1) His selection of artists needs to be increased. Although I was able to add many of the missing artists in my lectures, I was perplexed that Carrie Mae Weems and Lorna Simpson were missing. (2) Kalb also ignores significant aspects of photographic production from the late 1990s until today, specifically large-scale photography, like that produced by Gursky. I added a special day to expand upon contemporary issues related to photography, video, and performance, using outside readings. Despite my criticisms, the book was good overall, and I would recommend it highly as a textbook. Kalb can easily address my concerns in a second or revised edition.
1 of 2 people found the following review helpful.
Needs a ton of edits
By kay
Peter Kalb obviously has an issue with black contemporary artists because he doesn't mention any and for someone in his position, the oversight is embarrassing. I used this book for a Master's class Art since 1980 and it was a disappointment. Leaving black people out of the discourse is such a tired move.
2 of 4 people found the following review helpful.
Beautiful book, beautifully written.
By J. Starr
This gorgeous book is for student, art lover or expert. Kalb has an astounding visual vocabulary that encourages active engagement with contemporary art. He is so attentive to the political, person, and societal meaning of the art of our times. This book is a far-reaching global study, but it is in no way a survey. The in depth attention to the carefully selected artists help the reader understand the multitude of issues surrounding art making, art selling, the meaning of art in all our lives.
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